DOMINATION AND ASSASSINATION

JACK RHODES is a salesman that attempts to wear many disguises to get what he wants: women. One day, he gets a video letter from a mysterious video-artist, MONIQUE (Shannon Tweed), who challenges him to meet her. She plays him like a fiddle and takes advantage of him. Now the tables are turned and Jeff can't escape, not even with his life.

Domination and assassination... good post title for a Femme Fatale Blog.


I missed this series on HBO. 1984 and on... The Hitchhiker.  I must look for it, but in the meantime, I love what snippets I have found on the internet.  

And if you see it, does it scare you that I love it? (-:

MISTAKEN INTENTIONS

Certainly there are sexless men out there somewhere, people who feel that erotic pleasure is utterly uninteresting. The guys at work who spend all their free time checking out sports scores or fantasy league standings, or who are devoted exclusively to their model airplane collections. Admirable things, to be sure.

Certainly. He knew that. But it had never been like that for him. He had always noticed the curve of a calf, the sheen of stockings, the rosy flash creeping up a neck as a sign of embarrassment or incipient excitement. It was like a kind of radar or ESP. Sure, it had created awkward moments, a restlessness that wouldn’t go away. Every day, it seemed, there was a moment – an image, a thought, a flash of recognition in a passing glance, a sight that took his breath away – that resonated in his mind as he pleasured himself. Yet it was never right, never enough, and increasingly he imagined darker but unarticulated things. But several months ago, things started to go haywire, and it was only now that he realized things had gone beyond his control.

It started at the carousel at the airport. His bag was identical to Hers. By the time they’d sorted it out – he’d been helpful and deferential, of course – he’d not only been intrigued by Her perfume and the dangle of the bracelets on Her slim wrist but by the lacy hem of the leopard print slip he’d seen in Her bag when he’d opened it to show Her that the bag was his. He felt silly, of course, but also flushed: the rosy tint creeping up had been on his neck, not Hers. She’d simply smiled.

The shared cab ride, the drink at the bar of the bistro near her home with the twin bags on the floor, side by side, the dinner, the exchange of phone numbers, and then dropping her off and helping only to the door and the soft kiss of her hand on his cheek and the lingering scent – had she freshened it in the restaurant’s bathroom while he paid the bill? – as She said goodnight.

In time he’d discovered that She was every inch a lady, down to the tautness of Her neck as She arched her back before thrusting Her hips forward when on the edge of orgasm.

She epitomized the woman that had danced darkly in his imagination for so many years. Yes, of course he’d looked at porn and knew the allure of leather opera gloves and garter belts. But he’d never before felt the smooth bindings of stockings around his wrists as they were pulled out to be tied to the bedposts or the insane pleasure of being mounted and ridden as She rubbed herself to orgasm and collapsed against him, still hard, panting, and more aroused than he’d ever been in his life.

For the first time in his life, he discovered the most intoxicating form of arousal of all: the pleasure of a woman who feels no shame in the pleasure She experiences and is without reservation in making it happen.

Soon, things he’d started to say seemed to remain stuck in his mind. First it was during their lovemaking – how amazing She felt, how intense the pleasure was, how he’d all but begged her again and again to slow down so She would come first and how She’d breathlessly complied, often leaving him fully engorged until She’d regained Her composure and finished him off with a few twists of Her fingers. Not that he was complaining. For some reason, even with the minimal, casual, almost forgetful touch, he would come more intensely than ever.

And for the first time, when he was alone and making himself come, he thought only of his partner, of Her, and not the open, expectant gaze of an attractive woman waiting for him to approach her.

And soon, also, the things he’d routinely said to soothe the ego of a partner when out in public – “you look stunning,” “there isn’t a man here that wouldn’t want to be in my shoes,” “how can you stand being so sexy” – had a resonance and solidity. The words didn’t evaporate but stayed with him when they were apart. And when She had him repeat them, as She had him massage Her feet and kiss the tops of Her arches, they stuck even more.

When he confessed those feelings to her – surprisingly, after he’d released and was normally inclined to get lost in his regeneration – She’d smiled slightly and Her tongue would slowly and unconsciously glide across Her lower lip.

And then, things changed. There was a problem with Her bank account. Could she write him a check for $500 and get cash? He’d be able to deposit it later. Later became later and later still. And then one night when he was snugly bound and deep inside Her, She asked if he wouldn’t mind forgetting about the check. He said, ‘No, of course,’ and She paused and asked him to speak more clearly, asking if he was sure it didn’t matter, and that he was happy to forgive the debt, to admit that actually he was the one in debt to her. Which he did. Careful to articulate every word. She shuddered as She came, and he spasmed to his core.

The check – the checks, actually – were only part of it. Where they had regularly seen each other a couple of times a week, it became erratic, some weeks just once (and one time not at all), others three times. Sometimes it was simply dinner out, which became more provocative than he’d expected. He spent one weekend entirely with Her. They’d planned to fix things up, and had started. But She remembered a pressing need a client had, so while She worked on some code on Her computer, he scrubbed clean the grout of the bathroom floor. She was effusive in Her thanks and, when She had him sitting on the floor, between Her legs, pleasuring Her, She said, “Careful, or I’m going to program you.” He couldn’t stop thinking about Her for days, of Her fingers tapping over his body, instilling code.

Every couple of weeks, She would ask at especially delicate moments whether he’d ever known as much pleasure as he did with Her, even if he didn’t come exactly when She did. It became easier and easier to talk about how consuming the pleasure was, how deep and satisfying and meaningful, about how much She meant to him. And each time, She’d talk about his debt to Her and he found himself agreeing more and more easily. Without even realizing it, the statements came to be true, and each time, when she said, “I’ve brought a check,” he found his pleasure reached a new height and a new level of intensity. The numbers seemed arbitrary. 200. 625. 415. They meant little, just numbers, and when She slid them into his hand, kissing his forehead lightly, She would always say, “You can hold on to this for now, can’t you?” he always answered yes.

Then the routine, irregular as it was, was broken. Then a week passed, and a second. She was busy. But not unthinking. He received a parcel with a pair of Her underwear, smelling faintly of Her perfume. They talked on the phone. She was simply busy, which he didn’t doubt: She was always there when he called, happy to hear from him, even if a little distracted. He was careful not to be pushy in saying how much he missed Her, careful not to be too pleading. Often She said only, “Hmm…” letting it dangle before reassuring him that She missed him also.

Despite the enforced hiatus, he found himself coming only to thoughts of Her. The blistering red nails of the woman who shared his table at Starbucks, even as she applied her lipstick – things that once would have consumed his erotic attention for days – were soon forgotten. When an attractive colleague at work (who had once filled many of his fantasies) dropped her cup of coffee on the floor he had been quick to help clean it up, but he’d barely noticed the color of her underwear as she squatted to clean it, as well.

Then another envelope with a note inside and another envelope, as well. The note was brief. “Please call me when you’ve received this, but wait to open the other envelope.” Excitedly, he picked up the phone and dialed, relieved to hear Her voice, which was warmer and fuller than it had been for weeks. She asked him to rub himself through his pants, asking that he hold back for now, and asking if he was free for dinner in a half hour. Of course he was, and She asked him to open the other envelope. Inside was a pair of Her underwear scented both by Her perfume and the scent of her mound, a scent he loved more than any in the world. Also in the envelope was another envelope, this one business size, with a single word inscribed on it: “Take me to dinner, unopened.”

The restaurant was quiet, the martinis were dry, the meal delicious, Her warmth and obvious pleasure in seeing him irresistible. As they swirled the cognac snifters and inhaled the fumes, She asked if he’d brought the other envelope. She slid closer to him, and brought Her lips to his when he said yes. She talked about missing him, about missing the intensity of their time alone together. Her hand slid to his crotch. He found himself saying all the things he’d said to Her when they were intimate. She asked about indebtedness and the checks and he said he’d forgotten about the latter. She kissed him deeply, her tongue forcing itself deep into his mouth. She asked if he liked the checks, Her hand taking the lower part of his crotch firmly. He stiffened more as he said, “Yes.”

She asked that he open the last envelope. He did, and he pulled out a check. It was different. It was an unsigned check of his, made out to Her, in the amount of $5,000.00. The memo line read, “Just the first.” She took his ear lobe between her teeth and said, in a clenched, slightly choked voice, “Make me come.” 

 

The next afternoon, when he answered the phone and heard Her voice, he sat up straighter in his chair, as if She could see him. “Thank you,” she said, “it’s never been that intense for me before. And do you know what I love most? There’s nothing you can do to change things.”

The line went silent. For a moment the room seemed to darken and then come into focus with a crystalline clarity.

There was nothing he could do to change things.

DELILAH

We all remember, don’t we, that Sampson fell in love with Delilah, who was bribed by Sampson’s enemies to find his weakness. Wary of her questions, he said first that if he were bound with bowstrings he would lose his supernatural strength. (Had you forgotten than he was into bondage?) So Delilah, clever girl that she is, waits for him to fall asleep and ties him up. He wakens and breaks the bindings. She asks again – uh, Sampson, think anything’s going on here? – and he says new ropes will do the trick. Again, she waits until he slumbers and practices a bit of bondage, and again he wakes, and breaks the ropes. Ever persistent, patient, and greedy for those thousand pieces of silver promised her by the Philistines, Delilah once again asks the question. Sampson, by now, weakened by his own love and lust for the Delilah, moves closer to the truth - that he will lose his strength if his hair, which truly is the source of his strength, is woven together. As he sleeps that night, she gives him a hair weave and ties him up, and the next morning, he awakes and unbraids his hair.

Not to be dissuaded from her potentially profitable enterprise, Delilah yet again asks Sampson the source of his strength. And poor, simple Sampson (he’s male, after all, and clearly had forgotten the story of Eve and the serpent), says that if his hair is shorn he will lose his strength. Sure enough, Delilah waits until he is asleep, and then with his head resting in her lap, she has a servant cut off his hair. His strength removed, Sampson is captured by the Philistines, turned into a slave, and, after his hair has grown back, brings down their temple and kills all those inside.

That Sampson. That Delilah. No photographers were there at the time to record the events and post them to Twitter, so artists – mostly men, of course – used their imaginations. But for the visually inclined, there are a couple of points of interest.

Point 1: Delilah is usually, though not always, shown clothed and Sampson unclothed, an early example of the CFNM (clothed female, naked man, for the fetistically illiterate) kink. (During the presumably suppressed Victorian period, women, too, were shown topless.)

Point 2: Sampson is slumbering, presumably in a post-coital state, which leads one to ask exactly when it was that Delilah cajoled his secret out of him. Just before she manipulated his secretions out, one might reasonably expect. Those among us who are moral know well that information divulged and promises made at the height of edgy arousal (promises erectus, in Latin) are less solid than the member of the person making the disclosures or vows. But some people – Delilah, you go, girl! – are a bit less moral.

Point 3: Sampson often has his head in Delilah’s lap. Let me think, where does one often see a sleeping male with his head in a woman’s lap? Why, at any event that goes on too long where a mother has brought her son! Interesting that artists associate this tender, maternal moment, normally associated with protection and comfort, with the story of a venal femme fatale, no?

Point 4: Sampson felt pretty silly when he woke up with his new hairdo. But Delilah thought it was just adorable!

Moral, for women: in his weakness there is our strength.

Moral, for men: never get an erection.

FELINE FEMME FATALES

Just for a moment, let’s go beyond the primary layer of the seeming femininity of our furry friend, the cat, and its alternate name, the pussy. Yes, I know it’s difficult, asking you to go beyond your hypothalamus and your fight, flight, fear, and fuck impulses. Let’s move up a bit into your more, well, socially informed areas of your dopamined mind, yes?

Dogs, as we all know, are loyal, easily trainable, and need to please.

Cats, on the other hand,  are fickle, independent, and indifferent. So the stereotyping says. Let’s draw a parallel. What are some of the more common complaints men have about women, aside from being late? Well, one is that they’re unpredictable (read fickle). Another is that, despite all the media blather about women needing to communicate, they actually don’t, at least when it comes to their relationships with the opposite sex. And, well, what’s to say about indifference, particularly when a man really, truly wants something? The surest route to rejection, whether at a pick up spot or in the marital bed, is for the man to go down the path of being very clear about his hypothalamine desires. Swish of the tail, as she meanders away.  Reject, reject...

It’s just sooooo much fun being a Woman!

Seemingly so warm and cuddly, and then suddenly indifferent. Changeable. Yes, men do like to reduce it to hormones and menstrual cycles, which would seem to leave them off the hook: she can’t help it, she’s on the rag. Did I ever tell you about the time a man actually had the gall to say that to me? What a lovely evening that became. I seduced him, bound him, blindfolded him and had him open his mouth wide. And, can you – I mean, really, can you? – just take one little guess about what I popped in, followed by tape across his mouth? LOL. Honestly, I’m a very caring and compassionate person. Truly. But his remark was just so distasteful to me, and it seemed an important part of his education to learn just how distasteful I found it by having him experience that sensation of distastefulness. And so, as I straddled his crotch, with him straining against the slightly undersized briefs I enjoyed seeing him in, and removed the blindfold – visual contact is very important during training – I explained that the word “rag” in that context is entirely inappropriate. And I calmly, as I shifted my hips just a bit, explained that one of the most important part of our relationship, of the dynamic between us, is that if either of us ever felt we truly knew the other person, and their responses to things, and could anticipate that, it would be lovely… but it would come to feel stale and boring quite quickly – that should he feel that I was entirely predictable, he would be terribly disappointed. And, again, I reminded him of how distasteful the word “rag” is and went on to explain that my being capricious really had nothing to do with hormones – I could just as easily manipulate him into the very position he was in right now when I wasn’t having my period—on his back and rather helpless, though I’d need to find something equally distasteful for him to chew on.

Which, of course, I later did, merely to prove the point. He wasn’t a fan of Chopped Liver. Never did acquire a taste for it, despite my effort. Oh, well.

The point here, my dears, is that being unpredictable is a source of strength, and power. Yes, it’s the nimbleness and quickness of the cat that makes them so elusive to dogs, with their hunting instinct. And, yes, it’s the hiss and the arched back that warn dogs off. But it’s the sudden, entirely unexpected and unpredicted swipe of the claws across the snout that reinforces it.

Which is why, dear reader, Batman – the strong, mysterious male and his transparent ego – can never quite subdue Catwoman, and her feral understanding of arousal, desire, and manipulation. Sure, he’s stronger. And, he has all those nifty man toys at his disposal. But Catwoman is a continually elusive being, beyond his control.  (Like the man’s penis.)

Surely you don’t need proof, but let’s just consider something. What’s the best way to minimize and control something? To mock it, of course. Back in the repressed ‘50s, Catwomen were often flat out goofy – ineffectual little things that flocked around each other to no effect, a source of amusement and naughtiness.
Example: some fun films of that era:

CAT WOMEN OF THE MOON

CAT GIRL the UK film

CAT PEOPLE. Actually a fun film.

Later, as taboos lifted, Julie Newmar in the ‘60s Batman television series was more than naughty – she was bloody well hot.

Michelle Pfeiffer was hardly buttoned down, though her Catwoman was the polar opposite of the passive, mousey designer she was in her mortal life.

 Ditto for Halley Berry in Catwoman, who literally had no need for Batman: she was her own woman.

And now comes Anne Hathaway in the next installment of the Batman movies. Dark glasses, inscrutable, impenetrable leather skin.

When it comes to men, let me ask you this. Who needs claws, when there are so many other weapons at our disposal?

A Slice of Life...

It depends on who you ask, really. Take Caravaggio, for instance. When he showed the Biblical scene of Judith beheading Holofernes – the Syrian general who was about to attack her town – the expression on her face is most, well, expressive. “Nasty piece of business, this,” she seems to be thinking. Furrowed brow. The firm set of her lips. Yet she’s not grabbing his hair or slicing the sword through his neck at arm’s distance, is she? No, she’s stepped up and seems to be embracing the task. Grabbing his hair and pulling him towards the breast that he so desired.  And then – speaking of nasty – there are the – oops – jutting breasts-the femme weapon of subterfuge.
And certainly don’t focus on his expression. Or his exquisitely erect nipples. Surely, Caravaggio meant no connection between power and powerlessness, between desire and death. It’s not like she talked her way into his tent because he found her so fetching.

Oops, again. Yes, that’s exactly how she – a Jewish woman from the town about to be laid to waste – gets into his tent. We won’t go into the perils of letting desire into your tent at the moment since it’s so nicely illustrated here.

Then there’s Franz Stuck.

Where Caravaggio told the story in restrained, subtle ways, not so our boy Franz. Holofernes is prone, asleep, his arms raised as if in surrender after a rather, um, depleting intimacy with our girl Judith. (Go Judith!!!). She stands above him, a rather – rather – large sword as upright as a fully-fluffed, viagraed star of the slimy silver screen. 

As she stands there, what on earth could she be thinking? Of the sweet little lambs and piglets who will be spared because of the blow she is about to deliver? Her husband? Father, sister, mother, neighbor? The righteousness of her preemptive strike?

Hardly likely, little puppy. Her head tilted slightly back, eyes narrowed to serpentine slits (there’s that darned snake again; I wonder if she belongs to Slytherin), she is most clearly enjoying this tender, quite empowering moment in which his desire has left him not just weak but unconscious (a small death in itself). There’s not a shred of anger or rage or resentment to her expression. No. It’s just a satisfied calm and sense of entitled purpose.

Or maybe she’s musing on something. What she might say to the about to be expired Holofernes. “She who thrusts last thrusts best.”

This last doesn’t require much comment.  the Act completed,   Judith’s fingers as if in a death grip on the severed head of Mr. H, her dress half open, glittered, dazzling, and so very, very clearly in an extended erotic state. The nipple now soft and at rest as if acknowledging the trance-like state of Judith.

It’s all a bit gory, isn't it. Though I must say, I do enjoy a good conquest, whether in the end he’s kept his head or not.

Spies, Lies, and Anna Chapman

Sex, lies & female spies

By Gayle Schoales

July 18, 2010

Move over James Bond. It's out with shaken Martinis and in with Cosmos. Like suspected Russian spy Anna Chapman, 28, just under half of the UK's 3,500 'spooks' are women and, according to experts, it's feisty, fearless females who make the best spies. With pistols concealed in their designer handbags and lipsticks doubling as listening devices, women are putting their feminine skills to good use, forging careers in what has traditionally been a man's world.
"Female spies like Anna Chapman use their sexuality to their advantage," says Claire Thomas, co-author of Spooks: The Unofficial History of MI5. "An attractive, intelligent woman can ensnare a man and get him to lower his guard. She'll turn him into putty in her hands and get the information she needs. She doesn't have to use sex - but it's a powerful weapon."
While us girls might lack the physical strength of our male counterparts, in the world of spying, that's not a problem.
"Espionage is more about gathering intelligence than getting into Jason Bourne-style fist fights," explains Claire. "Male agents don't have an advantage. If anything, women are mentally much stronger than men. They can cope with pressure better, and the demands of leading a double life."
One German WW2 spy, code-named 'Mrs Amos', was so deep undercover in London, not even her husband of 20 years knew she was an agent. "Her cover story was that she worked in the War Office," says Claire. "She was an unassuming, middle-aged woman, yet she spied on people and gave information to the Nazis. She even recruited other women to the service. Her husband never suspected a thing."

The sexier the spy, the better

 As for Bond-girl looks, traffic-stopping beauty can actually be a hindrance rather than a help. "Depending on the mission, the agent might want to be unremarkable and fly under the radar," says Claire. "If it's a honey-trap however, the sexier the spy, the better."
When he founded the British Security Service (MI5) in 1909, Sir Vernon Kell stipulated that female agents had to be "well bred and have good legs". And in the '30s and '40s, MI5 spymaster Maxwell Knight recruited sexy women to go on missions to ensnare men with German or Russian links.
One of them was Olga Grey. A blonde bombshell codenamed 'Miss X', she infiltrated a spy ring in the Woolwich Arsenal during WW2. Despite falling in love with her communist target, Olga never abandoned her mission. "She'd sneak into his bathroom late at night and photograph his top-secret plans for weapons. He didn't suspect her and, after his arrest, he was devastated at her betrayal," says Claire.
Like Olga, Joan Miller used her sexuality as a weapon too. Another WW2 agent, glamorous Joan infiltrated a secret anti-Jewish society called the Right Club. Made up of everyone from politicians to the Fifth Duke of Wellington, the group met in the swish Russian Tea Rooms in London, where they drank vodka, ate caviar and discussed how to remove Jews from positions of power in politics and the press. By gaining their trust, Joan busted the ring.
"Once, Joan needed to get her apartment searched for taps," says Claire. "Special Branch officers said they couldn't do it, so she bribed them with a picture of herself in a bikini!"
But how do women get to work in the Secret Services in the first place? Everyone's heard the story about getting a tap on the shoulder, but MI5 started open recruitment 10 years ago. Gone are the days of being covertly approached and invited to apply, like Jennifer Garner's character in US TV series Alias.
The reality is less exciting. After completing a competency test, successful candidates embark on a series of interviews and vetting procedures. Interviewers delve into the backgrounds of family and friends, as well as their sex lives and personal relationships to ensure the credibility of would-be spies.
"Women are more likely to be sent on corporate missions these days, where they can get jobs in offices that allow them access to files, or have drinks with well-connected people," says Claire. "But the essence of their work is still the same.
"They can exploit men's vanity, seducing them into telling them what they want to know. Men don't suspect women asking strange questions in the same way they would a man."

Why women make better spies

"Women are used to taking on many roles - being one person at work, one with friends, and another with our bloke or kids," says psychologist
Dr Funke Baffour. "We manage these seamlessly and almost have 'double lives' already. Women are also better at lying and keeping secrets than men. We think through possible problems and outcomes before speaking, so are less likely to be caught out."

One who did get caught out is ANNA CHAPMAN, Russian Spy 2010

Anna Chapman was kinky and 'great in bed,' says ex husband Alex

BY LUKAS I. ALPERT

DAILY NEWS STAFF WRITER

Monday, July 05, 2010

She may have been a true Cold Warrior, but Anna Chapman is red-hot in the sheets.

The flame-haired Russian hottie accused of being a deep-cover mole in the U.S. was a wild woman in the sack, her ex-hubby says.

"Anya was great in bed and she knew exactly what to do," said Alex Chapman, who married the then-Anya Kushchenko in 2002. "The sex was great and she had this incredible body."

Chapman told the British newspaper News of the World that he met the stunning spook at a rave in England in 2001 and immediately fell in love.

"I hadn't met anybody like her before," he said. "I was infatuated with her."

They began a torrid affair, which Alex Chapman says quickly veered into kinky territory.

The randy Russian had a penchant for whips and nipple clamps and once joined him in a mile-high sex romp aboard a Moscow-bound flight, he said.

The poor hubby never thought he was married to a spy -- except for that one time a Persian prince got them into a nightclub, and now that you mention it, she was friends with a wealthy guy called Sergei who had a Green Card for no apparent reason. Other clues: Anna loved watching James Bond movies and Benny Hill. 
Apparently, Anna left Alex on account of her expensive tastes, picking some guy who could buy her a Cartier watch over him -- which perhaps explains the ultimate payback of him selling their sex pics to The News of the World.
How nice of him to release such intimate photos to the media.  Obviously, no ill-feeling on his part, just... GREED.   They had something in common, didn't they?

After the divorce, Anna moved to New York City and there ran a successful real estate company, living the high life and garnering some influential and rich Russian and International clients, as well as lovers.  
All was going well, until an undercover FBI agent attempted to draw her into a trap at a Manhattan Starbucks. The FBI agent offered Chapman a fake passport with the instructions to forward it to another spy. He asked, "are you ready for this step?", to which Chapman replied, "Of course." She accepted the passport. However, after making a series of phone calls to her father, Vasily Kushchenko, in Moscow, Chapman ended up heeding her father's advice and handed the passport in at a local police station, but was arrested shortly after. After her arrest by the FBI for her involvement with the Illegals Program, she was formally charged with nine other detainees and became part of a spy swap deal between the US and Russia.

Back in Russia, she has gained celebrity status and is seen more as  a heroine rather than a femme fatale. In the Russian edition of Maxim magazine in October, she stated: "Seduction, like love and friendship are the same everywhere," when asked which men are easier to seduce, Russians, British or Americans.
"Most men are divided in three categories: primitive, those that only want sex; smarter, those that want to be loved and [the] last group -- those that not only want to be loved, they also need that this love will be the biggest and most amazing feeling in your life," she said.
Chapman, who once claimed to be a wealthy realtor, has since been hired as an adviser to the president of FundServiceBank, an authorized bank of the Russian space agency, and hosts a TV show. 

And these photos might explain US Vice-President Joe Biden, when jokingly asked by Jay Leno on NBC's The Tonight Show with Jay Leno, "Do we have any spies that hot?", replied in a mock serious tone, "Let me be clear. It was not my idea to send her back."

For more in depth reading, just Google Anna Chapman.